A ROCKING EMOSANAL ATYACHAAR!!!

FILM: Dev.D
DIRECTOR: Anurag Kashyap
CAST: Abhay Deol, Mahie Gill, Kalki Koechlin
RATING:



"A characterless loser" describes the character of Devdas best in Sarat Chandra's 1917 novel. Yet he has been played by the best Indian actors numerous times in big budget films. Most of the films did not really tamper the essence of the ethnic backdrop in the original story, but yes, they did change a little of the story to accomodate it as a commercial cinema. The best example of this being Paro and Chandramukhi dancing together for Dola Re in Sanjay Leela Bhansali's version...

This movie is not based in 1917. This is a new age sexed up version of the Devdas. The story is very similar to the original though but the elements have been inspired by flicks like Requiem Of A Dream and Trainspotting. Anurag Kashyap's No Smoking was a pain in the head for most because at the end of two hours, no one knew what was going on. But No Smoking is a brilliant movie and so is Kashyap's latest, Dev.D

Mahie plays Paro. She likes Dev(Abhay Deol) from childhood. Dev is now in London and is in touch with Paro through internet chats. One day Dev asks Paro to upload a naked picture of hers. She does it. Dev reacts to this sight by instantly hitting out a vodka shot and tells her on phone, "Paro, I am coming!!"

Kalki plays Leni. Leni is a school girl whose MMS scandal ruins her life and in pursuit of little space in life, she comes down to A-grade prostitution in Delhi. During the sequencing of these two stories of Paro and Leni (who becomes Chandramukhi in her trade), the story line touches many realities which exist in today's world. It seems little unreal when the people on the screen have only sex on their mind. But the truth is, for some people, it is true...

Kashyap's screenplay and direction comes as a charm and makes the movie intriguing. What makes it further intriguing is Rajeev Ravi's cinematography filled with expressive and appropriate shades making each still a photographic wonder. And finally, what makes it the most intriguing is Amit Trivedi's music and background score. There are 18 songs in this movie and all belong to a genre, not ventured much by any Indian music director.

The best and defiining track still remains Emosanal Atyachaar and the movie is really an emotional opression the way it has been crafted. I have always said that a movie is successful if it can make you feel you are a part of it. Nolan's Memento is one great example of this feat. And yes, Dev.D is another. The screenplay, direction, cinematography and the background score and not to forget the brilliant acting by mostly new faces and artistes from stage, takes you to the world of Dev. After a long time, may be as long since I saw Godfather, I have been left with no scope to cut a mark. This flick, if taken in the correct "spirit" is one of the best Indian cinema ever. No wonder Nikhat gave it a 5/5!

What I am prompted to do after this movie, is make a documentary titled The Evolution of Deol Little. From Manorama Six Feet Under to Oye Lucky Lucky Oye to Dev.D, Abhay has proved that he is the best Deol and smartest as well. He knew he would fail if he followed his father's or his brothers' footsteps. He has made his own way, his own fan following and yes, I am his fan too!! And I am a bigger fan after knowing that he is the man behind this weird concept of the film.

In one of the scenes Dev asks Leni, "How old are you?" She replies,"Old enough to be in bed with you." Sex surely is a cocktail; very attractive and very intoxicating as well. This film wins because, though sexed up, it has got heart in it. It has got lust, but somewhere you can find love and truth in here. One best example of heart is when Paro after married to someone else tells Dev, " You are incapable of loving someone else. You are so much into you that you love only yourself. I suggest you marry this mirror over here. Even the bathroom's mirror would do!"